Books and catalogues

The Detective Wall Guide

MemesteticA – The Eternal September of Art

Valentina Tanni

The Fog of Systems

Hyperemployment – Post-work, Online Labour and Automation

!Mediengruppe Bitnik, Felix Stalder, Silvio Lorusso, Luciana Parisi, Domenico Quaranta

We Need to Talk, AI

Julia Schneider, Lena Kadriye Ziyal

0.004 Hz

Tao G. Vrhovec Sambolec

State Machines. Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art

Janez Janša®

Domenico Quaranta

Janez Janša and Beyond

Mladen Dolar, Jela Krečič, Robert Pfaller, Slavoj Žižek

Kites & Websites – Evan Roth

Domenico Quaranta

The Black Chamber

Domenico Quaranta et al.

Networked Disruption

Tatiana Bazzichelli et al.

The Pirate Book

Marko Batista: Temporary Objects and Hybrid Ambients

Jurij Krpan, Andreja Hribernik, Ida Hiršenfelder, Luka Zagoričnik

What’s in a Name?

Eternal September – The Rise of Amateur Culture

Valentina Tanni, Smetnjak, Domenico Quaranta

Onkraj novomedijske umetnosti

Domenico Quaranta

Troika

Domenico Quaranta

Sašo Sedlaček – Supertrash

Petja Grafenauer, Luka Omladič

Janez Janša, Biografija

Marcel Štefančič, jr.

Janez Janša, Janez Janša, Janez Janša – Podpis / Signature

Petja Grafenauer, Miško Šuvaković

RE:akt! – Reconstruction, Re-enactment, Re-reporting

Antonio Caronia, Jennifer Allen, Jan Verwoert, Rod Dickinson, Domenico Quaranta

NAME Readymade

DemoKino – Virtual Biopolitical Agora

Postscriptum

Why I Want to Fuck Elon Musk

Smetnjak vs. Ljubljana: Singularity of Humour and Politics Beyond Elections

Primož Krašovec

The Fog of Systems

The Servile Mass Society

Offshoring and Other Magic Tricks of Global Finance: An Interview with RYBN

The Return of the Dead Author

State to Stateless Machines: A Trajectory

Challenging Infrastructures

Daphne Dragona, Dimitris Charitos

I saw the Blockchain at the End of The World, turned around, and walked back

Jaya Klara Brekke

Notes from the Excluded Middle

Daniël de Zeeuw

Reclaiming the Corporate Owned Self

Hiding in Plain Sight. Amy Suo Wu’s The Kandinsky Collective

Manifold Triptych

The Woman with the Wolf

In it for the lulz

Domenico Quaranta

Shit Tech for a Shitty World

Random Darknet Shopper

When one is too many: Molleindustria and Paolo Pedercini

Ouranophobia or the right to be forgotten

Mirthe Berentsen

Real-time for Pirate Cinema

Observations on the Virtual

Or Ettlinger, Pablo Garcia

We Started a Meme Which Started the Whole World Crying

Futures in Excess

Daniela Silvestrin

Troika

Domenico Quaranta

On Responsibility

Flight Mode

Régine Debatty

Exercises in Nexus

Andreja Kopač, Ida Hiršenfelder

Dear Observer

Domenico Quaranta

Frederik De Wilde, Beyond the Liminal: Ultra Black Art In Dark Times

The New, the Old and the Media of the Future

Ida Hiršenfelder

Fuck the Systsem! And the Illiterate!

monochrom: The Wonderful World of Absence. monochrom’s Zeigerpointer

Sculpting the Flow of Reality

Contradictions of the Hidden Landscape

Ida Hiršenfelder

Marko Batista: Painting with Sound

IOCOSE: In the Long Run

Domenico Quaranta

They Came to See Who Came

STORYTELLERS OF THE INFORMATION AGE. On the role of narrative in UBERMORGEN.COM’s work

An interview with Janez Janša, Janez Janša, Janez Janša

Alessandro Ludovico

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