Housing: Hacking the Crisis of Home

Lenart J. Kučić, Forms of Ownership, DOMA.CITY, Davor Mišković

Streaming
Monday, 8 June 2020 at 5 pm (CET)
aksioma.org/streaming

From empty luxury condos in London to slum clearance in Istanbul, from mortgage debt crisis in Spain to unaffordable rents in Slovenia, we are witnessing different local expressions of the global housing condition. These local crises stem from the real estate-financial complex that has transformed housing into an investment opportunity for an increasingly unequal concentration of global surplus capital. The commodification of housing thus offers lucrative financial opportunities for upper classes, while at the same time contributes to the increasing residential alienation, housing insecurity and expropriation of the commons. States have contributed to these developments by not only deregulating housing markets and privatising public rental stock, but also by employing different entrepreneurial strategies that support private investment strategies while limiting the development of non-profit alternatives. Housing is thus no longer a source of individual or social stability and security, but of constant tension, conflict and exploitation. How can communities, in current conditions of financial plunder and state removal, come together to construct other scenarios? How can we develop new mechanisms of communal control that will once again embed housing markets in local social relations, that will treat housing as a communal resource and human right? Can we imagine another system that will not be based on housing as an investment, but will see it as a home?

Special guests: Maša Hawlina, Uroš Mikanovič, Maruša Nardoni

Care: Solidarity is Disobedience

Pirate Care, Cassie Thornton, Maddalena Fragnito

Streaming
Monday, 1 June 2020 at 5 pm (CET)
aksioma.org/streaming

Neoliberal policies have re-organised the basic care provisions previously considered cornerstones of democratic life – healthcare, housing, access to knowledge, right to asylum, freedom of mobility, social benefits, etc. – turning them into tools for surveilling, excluding and punishing the most vulnerable, reframing the family unit as the sole bearer of responsibility for dependents. In the light of these processes, a growing wave of initiatives has been questioning the political and economic framework of care and experimenting with its collective reorganisation. On this panel, Tomislav Medak will present the research project Pirate Care that is gathering diverse self-organised care practices currently opposing the criminalisation of solidarity and prefiguring models for commoning care infrastructures. Cassie Thornton, of the Feminist Economics Department (the FED), will discuss The Hologram, a three-person health monitoring and diagnostic system practised from couches all over the world, on the phone and by many names, to produce a three-dimensional image of each participant’s physical, psychic and social health, based on one of the free, experimental care models developed by health workers at Social Solidarity Clinics in Greece during the height of the financial and refugee crisis. Maddalena Fragnito will present the experience of Soprasotto, a parent-managed kindergarten based in Milan since 2013. She will discuss the concept of “commoning care” by comparing its specificities to the market-oriented “techno-solutionist” hope on digital technologies in order to help society address the reorganisation of care needs.

Special guests: Majda Hrženjak, Lea Aymard, Maja Ivačič

Data Sovereignty and Proximity Tracing

Denis 'Jaromil' Roio, Domen Savič

Streaming
Monday, 25 May 2020 at 5 pm (CET)
aksioma.org/streaming

In his conversation with Domen Savič (Citizen D), Denis ‘Jaromil’ Roio emphasised that technology is only a means – we have to talk about problems and solutions. In building applications, we need to ask whether we build them in order for us to better understand individuals and society or in order for the applications to better understand us. In addition to decentralised tracking applications, we also focused on mutual credit system, which, according to the testimonies (at least) from Italy, where Jaromil joined the conversation from, might be more effective technological solutions than the systems for tracking infected individuals.

Special guests: Anja Blaj, Andraž Tori, Maja Založnik

Beyond Solutionism in a Post-COVID-19 World

Evgeny Morozov, Lenart J. Kučić

Streaming
Monday, 18 May 2020 at 5 pm (CET)
aksioma.org/streaming

The current crisis, with governments begging tech companies for help, has highlighted the immense appeal of the ideology of technological solutionism. But what is its politics? And how does it relate to the other dominant ideology of the day, neoliberalism? This talk will explore the political effects of technological solutionism, survey its place in today’s global capitalism as well as suggest what a post-solutionist politics might look like.

Special guests: Sandra Bašić Hrvatin, Valerija Korošec, Nejc Slukan

Critical Finance Strategies, Three Months into the Corona Crisis

Brett Scott, Geert Lovnik

Streaming
Monday, 11 May 2020 at 5 pm (CET)
aksioma.org/streaming

During spring 2019, a fancy new word made the rounds in France: collapsology. What would this entail, a year later? The collapse of certain aspects of global finance, logistics and just-in-time production was announced way earlier. Still, only weeks into the corona crisis, it is too early to say which aspects of the global financial system will be thrown into the dustbin of history. Pivotal nation-states are now exploring digital currencies as one tool for post-pandemic stimulus (or austerity). How do earlier proposals for Universal Basic Income relate to the sudden appearance of helicopter money in some countries? Are the Keynesian money proposals to prop up the Western economies an indication of the end of the neoliberal hegemony? Is the quasi ban on cash during the corona crisis an indication of the arrival of the cashless society?

Special guests: Iztok Hočevar, Tjaša Pureber, Vuk Ćosić and Rok Kranjc

iHUMAN

Tonje Hessen Schei
iHUMAN
A film by Tonje Hessen Schei

Screening
Monday, 6 July 2020 at 6 pm and 8 pm

Kino Šiška Centre for Urban Culture, Ljubljana

Presale 3 € / Walk-up 5 €

*Language: English with Slovenian subtitles

In the framework of Akcija!, a cycle of screening events


iHuman (2019) is a political thriller about artificial intelligence, power and social control. With unique deep access to the inside of the booming AI industry this film shows how the most powerful and far-reaching technology of our time is changing our lives, our society and our future.

iHuman follows pioneers at the frontline of the invisible AI revolution to see how this technology is developed and implemented. Through some of the brightest minds in the AI industry iHuman draws the roadmap to where we are going. Who punches in what codes for our future? How does AI impact who we are?

Director/ writer: Tonje Hessen Schei
Producer: Jonathan Borge Lie
Production company; UpNorth Film, Norway
DOP: Henrik Ipsen
Editing: Torkel Gjørv, Aleksander Kvam
Special effects: Rebel Unit, Theodor Groeneboom
Sound Design: Sølve Huse-Amundsen
Music: Olav Øyehaug

Length: 99 min
Language: English

RELATED EVENT

Live streaming interview
Thursday, 2 July 2020 at 5 pm (CET)
aksioma.org/streaming

Artificial intelligence will ultimately be the best thing ever to happen to humanity, or the worst thing ever. That’s why this is the most important conversation of our time.

The writer, curator, critic, and founder of we-make-money-not-art.com Régine Debatty meets the film director Tonje Hessen Schei to discuss relevant issues and questions raised by the iHUMAN documentary movie.


FILMMAKER

Tonje Hessen Schei (b. 1971) is an award-winning documentary filmmaker who has worked with independent documentary production since 1996. Her films mainly focus on human rights, the environment and the changing relationship between man and machine.

Tonje is the director of Drone, a documentary on the secret CIA drone warfare. Since it’s release in 2014 Drone has won Best Norwegian Documentary and Checkpoints, the human rights award, at Bergen International Film Festival and the Film Peace Prize at Tromsø International Film Festival. The film received the award as The Most Valuable Documentary of the Year at Cinema for Peace in Berlin. Drone won the National Film Award Amanda (the Norwegian Oscar equivalent), and Gullruten, the Norwegian Emmy, for Best Documentary 2015.

Tonje has been featured in national and international media. Including national television broadcast with NRK, TV2, as well as national newspapers Aftenposten, VG and Dagbladet. Internationally media includes BBC, CNN, The Guardian, the Monocle, Vice, Wired Mag, Al Jazeera, Huffington Post, Democracy Now! and many more.

Tonje also directed and produced Play Again and Independent Intervention, which have won several international awards. The films have been screened on all continents in over 100 countries, and are used by schools and universities globally.

Tonje is the Co-Founder and director at UpNorth Film in Oslo, Norway.

CREDITS

Author: Tonje Hessen Schei

Production of the event:
Aksioma – Institute for Contemporary Art, Ljubljana, 2020
in collaboration with the Center for Urban Culture Kino Šiška

Supported by:
the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana

iHUMAN

Tonje Hessen Schei, Régine Debatty

Value Extraction and the Workforce of the Cryptocene

Martín Nadal, César Escudero Andaluz, Telekommunisten, Sašo Sedlaček, Nascent,Aude Launay

Blockchain: Radicalising the Social Imagination

Jaya Klara Brekke, Max Haiven, Martin Zeilinger, Inte Gloerich

U30+ postproduction

Housing: Hacking the Crisis of Home

Klemen Ploštajner, Lenart J. Kučić, Forms of Ownership (Vienne Chan), DOMA.CITY (Maksym Rokmaniko, Francesco Sebregondi)

Care: Solidarity is Disobedience

Davor Mišković Pirate Care (Tomislav Medak), Cassie Thornton, Maddalena Fragnito

Data Sovereignty and Proximity Tracing

Denis 'Jaromil' Roio, Domen Savič

Tax Havens: Normalized Grand Theft

Anuška Delić, RYBN.ORG, Demystification Committee

Beyond Solutionism in a Post-COVID-19 World

Evgeny Morozov, Lenart J. Kučić (SI)

“Hi, where are you now?”

Lea Culetto, Sara Bezovšek, Danilo Milovanović, Vid Merlak

Critical Finance Strategies, Three Months into the Corona Crisis

Brett Scott, Geert Lovink

State to Stateless Machines: A Trajectory

James Bridle

This article is only available on Lulu.com


James Bridle (one of Wired magazine’s 100 most influential people in Europe) is an artist and writer working across technologies and disciplines. In 2018, he curated the exhibition and conference Transnationalisms, produced by Aksioma in the framework of the international cooperation project State Machines. Bridle has spent the recent years researching citizenship-by-investment and related technologies: special economic zones and free trade areas, freeports and seasteads, blockchain and other supposedly emancipatory but inhuman and asset-based protocols for identity management. At every level, the mass movement of peoples and the rise of planetary-scale computation is changing the way we think and understand national identity. The state as we know it is coming to an end: in this essay, starting from the increasing exchange of national identities available to the very rich, the author draws the trajectory of State to stateless machines.

EN | 14.8 x 21 cm | 12 pp | COLOUR | soft cover | 2019


Colophon

James Bridle
State to Stateless Machines: A Trajectory

PostScriptUM #33
Series edited by Janez Janša

Publisher: Aksioma – Institute for Contemporary Art, Ljubljana
Represented by Marcela Okretič

Proofreading: Rebecca Cachia
Design: Luka Umek
Layout: Sonja Grdina

(c) Aksioma | All text and image rights reserved by the author | Ljubljana 2019

Printed and distributed by: Lulu.com | www.lulu.com

In the framework of State Machines | www.statemachines.eu
Supported by the Creative Europe programme of the European Union, the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana.

Challenging Infrastructures

Daphne Dragona, Dimitris Charitos

This article is only available on Lulu.com


PostScriptUM #32

Daphne Dragona, Dimitris Charitos
Challenging Infrastructures. Alternative Networking & the Role of Art


During the last 15 years – when technology has become more natural and habitual, thus causing people to lose control over it – an emerging scene of network practitioners from different fields has been actively involved in building alternative networks of communication and file sharing. Among the practitioners of this DIY networking scene, a growing number of artists have been playing a crucial role as facilitator, mediator, and commoner of knowledge and experience. The artists have been offering tools of understanding based on their will to expose and make accessible opaque systems in an effort to empower people. Daphne Dragona (PhD), curator and writer currently working for transmediale festival, and Dimitris Charitos, Associate Professor at the Department of Communication and Media Studies, School of Economics and Political Sciences, National and Kapodistrian University of Athens, present and discuss certain exemplary initiatives studying how they evolved in time.

EN | 14.8 x 21 cm | 40 pp | COLOUR | soft cover | 2018


Colophon

Daphne Dragona, Dimitris Charitos
Challenging Infrastructures. Alternative Networking & the Role of Art

PostScriptUM #32
Series edited by Janez Janša

Publisher: Aksioma – Institute for Contemporary Art, Ljubljana
Represented by Marcela Okretič

Proofreading: Philip Jan Nagel
Design: Luka Umek
Layout: Sonja Grdina

All photos with the permission of the artists.
pp. 20

Photo source: https://piratebox.cc, CC BY-SA 4.0

(c) Aksioma | Text and image copyrights by authors | Ljubljana 2018

Printed and distributed by: Lulu.com | www.lulu.com

In the framework of State Machines | www.statemachines.eu

Supported by the Creative Europe programme of the European Union, the Ministry of
Culture of the Republic of Slovenia, the Municipality of Ljubljana and the Swiss Arts Council Pro Helvetia.

I saw the Blockchain at the End of The World, turned around, and walked back

Jaya Klara Brekke

This article is only available on Lulu.com


PostScriptUM #31

Jaya Klara Brekke
I saw the Blockchain at the End of The World, turned around, and walked back


A mysterious and controversial technology is among us: the blockchain. Constructed by unicorns piecing together the necessary building blocks of code, cryptography and incentives, it can lead humankind to Utopia, or to the Final Solution – the End. If it’s true that “It Is Easier To Imagine The End Of The World Than The End Of Capitalism,” as a popular bumper sticker warns, the artist Jaya Klara Brekke, currently pursuing a PhD on the political geographies of blockchain infrastructures, invites us to come back from elsewhere in the future to stay here and now, and not to fear indeterminacy.
Written on the occasion of the New World Order group exhibition curated by Ruth Catlow & Marc Garrett / Furtherfield, this homage to the here and now reminds us that we are the ones who are building the future, maybe one automated and run by AI, but we will never be able to predict it.

EN | 14.8 x 21 cm | 12 pp | COLOUR | soft cover | 2018


Colophon

Jaya Klara Brekke
I saw the Blockchain at the End of The World, turned around, and walked back

PostScriptUM #31
Series edited by Janez Janša

Publisher: Aksioma – Institute for Contemporary Art, Ljubljana
Represented by Marcela Okretič

Proofreading: Philip Jan Nagel
Design: Luka Umek
Layout: Sonja Grdina

All images courtesy of the artist.

(c) Aksioma | Text and image copyrights by authors | Ljubljana 2018

Printed and distributed by: Lulu.com | www.lulu.com

In the framework of State Machines | www.statemachines.eu

Supported by the Creative Europe programme of the European Union, the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana.

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