{"id":63,"date":"2023-02-11T10:47:16","date_gmt":"2023-02-11T09:47:16","guid":{"rendered":"https:\/\/aksioma.org\/scale\/?post_type=participant&p=63"},"modified":"2024-02-05T13:03:09","modified_gmt":"2024-02-05T12:03:09","slug":"gloria-gammer","status":"publish","type":"participant","link":"https:\/\/aksioma.org\/unrealdata\/participants\/gloria-gammer\/","title":{"rendered":"Gloria Gammer"},"content":{"rendered":"\n

Gloria Gammer <\/strong>is a Berlin-based artist and filmmaker. Her work explores the relationship between humans, machines and non-human organic others. Trained in film, oftentimes she seeks to push away from traditional forms of realistic narrative and question the conditions for mimetic empathy and identification. She likes to play with representation \u2013 original, copy, forgery. Her work has been shown internationally at film and media art festivals and exhibitions, with awards including the First Prize for an Experimental Film at the Athens International Film + Video Festival (US) and the Alternative Film\/Video festival in Belgrade. https:\/\/www.rainbowwarrior.at\/<\/a><\/p>\n","protected":false},"featured_media":642,"template":"","class_list":["post-63","participant","type-participant","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nGloria Gammer - Tactics&Practice #15: (Un)real data - Real Effects<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aksioma.org\/unrealdata\/participants\/gloria-gammer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gloria Gammer - Tactics&Practice #15: (Un)real data - Real Effects\" \/>\n<meta property=\"og:description\" content=\"Gloria Gammer is a Berlin-based artist and filmmaker. Her work explores the relationship between humans, machines and non-human organic others. Trained in film, oftentimes she seeks to push away from traditional forms of realistic narrative and question the conditions for mimetic empathy and identification. She likes to play with representation \u2013 original, copy, forgery. 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