{"id":12,"date":"2023-02-09T10:03:40","date_gmt":"2023-02-09T10:03:40","guid":{"rendered":"http:\/\/127.0.0.1:8888\/aksioma-scale\/?page_id=12"},"modified":"2024-05-08T18:02:53","modified_gmt":"2024-05-08T16:02:53","slug":"credits","status":"publish","type":"page","link":"https:\/\/aksioma.org\/unrealdata\/credits\/","title":{"rendered":"Credits"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Tactics&amp;Practice #15: <strong>(Un)real Data \u2013 Real Effects<\/strong><\/strong><\/h2>\n\n\n\n<p><strong>Participants: <\/strong><br>Alexandre Puttick, Cornelia Sollfrank, Felix Stalder, Gloria Gammer, Gordan Savi\u010di\u0107, Marta Peirano, !Mediengruppe Bitnik, Neja Berger, Sebastian Schmieg, Selena Savi\u0107, Simon Weckert, Total Refusal, Valentina Tanni<\/p>\n\n\n\n<p><strong>Curators:<\/strong><br>!Mediengruppe Bitnik (Carmen Weisskopf and Domagoj Smoljo)<br><br>Artistic director: <br>Janez Fakin Jan\u0161a<\/p>\n\n\n\n<p>The programme is based on !Mediengruppe Bitnik\u2019s research project <em><a href=\"https:\/\/latentspaces.zhdk.ch\">Latent Spaces: Performing Ambiguous Data<\/a><\/em> at the Z\u00fcrich University of the Arts. The conference is developed in collaboration with Felix Stalder and with the curatorial advice of the Latent Spaces research group.<\/p>\n\n\n\n<p>Head of production: Marcela Okreti\u010d<br>Executive producer: Sonja Grdina<br>Production assistants: Noemi Garay, Rok Krajnc, Adrijan Praznik<br>Promotion and social media management: Sonja Grdina, Dominika Ma\u0161a Kozar, Sara Vatovec<br>Web developer: Igor Kova\u010di\u0107<br>Visual identity: Federico Antonini, Simone Cavallin<br><br>Coordination at Kino \u0160i\u0161ka: Jasna Jernej\u0161ek<br>Technicians: Valter Udovi\u010di\u0107, Matej Marin\u010dek, Matev\u017e Fti\u010dar, Sa\u0161ko Gerk\u0161i\u010d<br><br>Partners for technical support: MGLC, MGML\/Cukrarna, Projekt Atol, Ljudmila, Kersnikova, MKC Maribor, MC Velenje, Bunker, Glej Theatre<\/p>\n\n\n\n<p><strong>Production:<\/strong><br>Aksioma \u2013 Institute for Contemporary Art, Ljubljana, 2024<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"188\" height=\"80\" src=\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aksioma@2x.png\" alt=\"\" class=\"wp-image-173\" style=\"width:94px;height:40px\"\/><\/figure>\n\n\n\n<p><strong>In collaboration with:<\/strong><br>Kino \u0160i\u0161ka Centre for Urban Culture<br>ALUO \u2013 The Academy of Fine Arts and Design of the University of Ljubljana<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"188\" height=\"80\" src=\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/kino-siska@2x.png\" alt=\"\" class=\"wp-image-178\" style=\"width:94px;height:40px\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"231\" height=\"82\" src=\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aluo@2x.png\" alt=\"\" class=\"wp-image-174\" style=\"width:116px;height:41px\"\/><\/figure>\n\n\n\n<p><strong>For the series:<\/strong><br>Tactics&amp;Practice<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"188\" height=\"80\" src=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/02\/tandp@2x.png\" alt=\"\" class=\"wp-image-743\" style=\"width:94px;height:40px\"\/><\/figure>\n\n\n\n<p><strong>Supported by:<\/strong><br>The Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"394\" height=\"80\" src=\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/mzk@2x.png\" alt=\"\" class=\"wp-image-184\" style=\"width:197px;height:40px\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"224\" height=\"80\" src=\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/mol@2x.png\" alt=\"\" class=\"wp-image-183\" style=\"width:112px;height:40px\"\/><\/figure>\n\n\n\n<p><strong>Additional support:<\/strong><br>The kick-off conference is supported by the Swiss National Science Foundation and the Z\u00fcrich University of the Arts<br>Valentina Tanni\u2019s participation is supported by the Istituto Italiano di Cultura Lubiana<br>The performance <em>Let\u2019s play<\/em> by Total Refusal and Valentina Tanni is realised in collaboration with the V-F-X Ljubljana Festival, SCCA\u2013 Center for Contemporary Arts and Slovenska kinoteka<br>The events with Total Refusal are supported by the Austrian Cultural Forum.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"308\" height=\"80\" src=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/02\/snsf@2x.png\" alt=\"\" class=\"wp-image-742\" style=\"width:189px;height:auto\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"34\" height=\"80\" src=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/02\/z@2x.png\" alt=\"\" class=\"wp-image-745\" style=\"width:29px;height:auto\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"390\" height=\"213\" src=\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/03\/IIC-vector-lubiana-BW-01-1.png\" alt=\"\" class=\"wp-image-375\" style=\"width:95px;height:52px\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"916\" height=\"247\" src=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/vfx.png\" alt=\"\" class=\"wp-image-925\" style=\"width:167px;height:auto\" srcset=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/vfx.png 916w, https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/vfx-768x207.png 768w\" sizes=\"auto, (max-width: 916px) 100vw, 916px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"227\" src=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/scca-1024x227.png\" alt=\"\" class=\"wp-image-926\" style=\"width:241px;height:auto\" srcset=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/scca-1024x227.png 1024w, https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/scca-768x170.png 768w, https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/scca.png 1445w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"952\" height=\"725\" src=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/kinoteka.png\" alt=\"\" class=\"wp-image-927\" style=\"width:92px;height:auto\" srcset=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/kinoteka.png 952w, https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/03\/kinoteka-768x585.png 768w\" sizes=\"auto, (max-width: 952px) 100vw, 952px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"2071\" height=\"383\" src=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/05\/LOGO-KF-ljubljana-Converted.png\" alt=\"\" class=\"wp-image-983\" style=\"width:237px;height:auto\" srcset=\"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/05\/LOGO-KF-ljubljana-Converted.png 2071w, https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/05\/LOGO-KF-ljubljana-Converted-1024x189.png 1024w, https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/05\/LOGO-KF-ljubljana-Converted-768x142.png 768w, https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/05\/LOGO-KF-ljubljana-Converted-1536x284.png 1536w, https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/05\/LOGO-KF-ljubljana-Converted-2048x379.png 2048w\" sizes=\"auto, (max-width: 2071px) 100vw, 2071px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Tactics&amp;Practice #15: (Un)real Data \u2013 Real Effects Participants: Alexandre Puttick, Cornelia Sollfrank, Felix Stalder, Gloria Gammer, Gordan Savi\u010di\u0107, Marta Peirano, !Mediengruppe Bitnik, Neja Berger, Sebastian Schmieg, Selena Savi\u0107, Simon Weckert, Total Refusal, Valentina Tanni Curators:!Mediengruppe Bitnik (Carmen Weisskopf and Domagoj Smoljo) Artistic director: Janez Fakin Jan\u0161a The programme is based on !Mediengruppe Bitnik\u2019s research project [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":90,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Credits - Tactics&amp;Practice #15: (Un)real data - Real Effects<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aksioma.org\/unrealdata\/credits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Credits - Tactics&amp;Practice #15: (Un)real data - Real Effects\" \/>\n<meta property=\"og:description\" content=\"Tactics&amp;Practice #15: (Un)real Data \u2013 Real Effects Participants: Alexandre Puttick, Cornelia Sollfrank, Felix Stalder, Gloria Gammer, Gordan Savi\u010di\u0107, Marta Peirano, !Mediengruppe Bitnik, Neja Berger, Sebastian Schmieg, Selena Savi\u0107, Simon Weckert, Total Refusal, Valentina Tanni Curators:!Mediengruppe Bitnik (Carmen Weisskopf and Domagoj Smoljo) Artistic director: Janez Fakin Jan\u0161a The programme is based on !Mediengruppe Bitnik\u2019s research project [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/aksioma.org\/unrealdata\/credits\/\" \/>\n<meta property=\"og:site_name\" content=\"Tactics&amp;Practice #15: (Un)real data - Real Effects\" \/>\n<meta property=\"article:modified_time\" content=\"2024-05-08T16:02:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aksioma@2x.png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/aksioma.org\/unrealdata\/credits\/\",\"url\":\"https:\/\/aksioma.org\/unrealdata\/credits\/\",\"name\":\"Credits - Tactics&amp;Practice #15: (Un)real data - Real Effects\",\"isPartOf\":{\"@id\":\"https:\/\/aksioma.org\/unrealdata\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/aksioma.org\/unrealdata\/credits\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/aksioma.org\/unrealdata\/credits\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aksioma@2x.png\",\"datePublished\":\"2023-02-09T10:03:40+00:00\",\"dateModified\":\"2024-05-08T16:02:53+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/aksioma.org\/unrealdata\/credits\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/aksioma.org\/unrealdata\/credits\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/aksioma.org\/unrealdata\/credits\/#primaryimage\",\"url\":\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aksioma@2x.png\",\"contentUrl\":\"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aksioma@2x.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/aksioma.org\/unrealdata\/credits\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/aksioma.org\/unrealdata\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Credits\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/aksioma.org\/unrealdata\/#website\",\"url\":\"https:\/\/aksioma.org\/unrealdata\/\",\"name\":\"Tactics&amp;Practice #15: (Un)real data - Real Effects\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/aksioma.org\/unrealdata\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Credits - Tactics&amp;Practice #15: (Un)real data - Real Effects","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/aksioma.org\/unrealdata\/credits\/","og_locale":"en_US","og_type":"article","og_title":"Credits - Tactics&amp;Practice #15: (Un)real data - Real Effects","og_description":"Tactics&amp;Practice #15: (Un)real Data \u2013 Real Effects Participants: Alexandre Puttick, Cornelia Sollfrank, Felix Stalder, Gloria Gammer, Gordan Savi\u010di\u0107, Marta Peirano, !Mediengruppe Bitnik, Neja Berger, Sebastian Schmieg, Selena Savi\u0107, Simon Weckert, Total Refusal, Valentina Tanni Curators:!Mediengruppe Bitnik (Carmen Weisskopf and Domagoj Smoljo) Artistic director: Janez Fakin Jan\u0161a The programme is based on !Mediengruppe Bitnik\u2019s research project [&hellip;]","og_url":"https:\/\/aksioma.org\/unrealdata\/credits\/","og_site_name":"Tactics&amp;Practice #15: (Un)real data - Real Effects","article_modified_time":"2024-05-08T16:02:53+00:00","og_image":[{"url":"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aksioma@2x.png","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/aksioma.org\/unrealdata\/credits\/","url":"https:\/\/aksioma.org\/unrealdata\/credits\/","name":"Credits - Tactics&amp;Practice #15: (Un)real data - Real Effects","isPartOf":{"@id":"https:\/\/aksioma.org\/unrealdata\/#website"},"primaryImageOfPage":{"@id":"https:\/\/aksioma.org\/unrealdata\/credits\/#primaryimage"},"image":{"@id":"https:\/\/aksioma.org\/unrealdata\/credits\/#primaryimage"},"thumbnailUrl":"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aksioma@2x.png","datePublished":"2023-02-09T10:03:40+00:00","dateModified":"2024-05-08T16:02:53+00:00","breadcrumb":{"@id":"https:\/\/aksioma.org\/unrealdata\/credits\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/aksioma.org\/unrealdata\/credits\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/aksioma.org\/unrealdata\/credits\/#primaryimage","url":"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aksioma@2x.png","contentUrl":"https:\/\/aksioma.org\/scale\/wp-content\/uploads\/2023\/02\/aksioma@2x.png"},{"@type":"BreadcrumbList","@id":"https:\/\/aksioma.org\/unrealdata\/credits\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/aksioma.org\/unrealdata\/"},{"@type":"ListItem","position":2,"name":"Credits"}]},{"@type":"WebSite","@id":"https:\/\/aksioma.org\/unrealdata\/#website","url":"https:\/\/aksioma.org\/unrealdata\/","name":"Tactics&amp;Practice #15: (Un)real data - Real Effects","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/aksioma.org\/unrealdata\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"lang":"en","translations":{"en":12,"sl":191},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/aksioma.org\/unrealdata\/wp-json\/wp\/v2\/pages\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aksioma.org\/unrealdata\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aksioma.org\/unrealdata\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aksioma.org\/unrealdata\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aksioma.org\/unrealdata\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":0,"href":"https:\/\/aksioma.org\/unrealdata\/wp-json\/wp\/v2\/pages\/12\/revisions"}],"wp:attachment":[{"href":"https:\/\/aksioma.org\/unrealdata\/wp-json\/wp\/v2\/media?parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}