{"version":"1.0","provider_name":"Tactics&amp;Practice #15: (Un)real data - Real Effects","provider_url":"https:\/\/aksioma.org\/unrealdata","author_name":"aksioma","author_url":"https:\/\/aksioma.org\/unrealdata\/author\/aksioma\/","title":"Cornelia Sollfrank - Tactics&amp;Practice #15: (Un)real data - Real Effects","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xlpSfvG27M\"><a href=\"https:\/\/aksioma.org\/unrealdata\/sl\/participants\/cornelia-sollfrank\/\">Cornelia Sollfrank<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/aksioma.org\/unrealdata\/sl\/participants\/cornelia-sollfrank\/embed\/#?secret=xlpSfvG27M\" width=\"600\" height=\"338\" title=\"&#8220;Cornelia Sollfrank&#8221; &#8212; Tactics&amp;Practice #15: (Un)real data - Real Effects\" data-secret=\"xlpSfvG27M\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/aksioma.org\/unrealdata\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/aksioma.org\/unrealdata\/wp-content\/uploads\/2024\/01\/Cornelia-Sollfrank_01.png","thumbnail_width":1024,"thumbnail_height":1024,"description":"Cornelia Sollfrank je umetnica, raziskovalka in piska, ki \u017eivi v Berlinu. V svojem umetni\u0161kem in akademskem delu v okviru in na temo digitalnih kultur se vselej posve\u010da umetni\u0161kim infrastrukturam, novim oblikam (politi\u010dne) samoorganizacije, kriti\u010dnemu avtorstvu, estetiki skupnega, tehnofeministi\u010dnim praksam ter teoriji digitalnih kultur. Kot pionirka internetne umetnosti je Cornelia svoj sloves zgradila z dvema projektoma: [&hellip;]"}