{"id":1728,"date":"2026-04-07T14:36:41","date_gmt":"2026-04-07T12:36:41","guid":{"rendered":"https:\/\/aksioma.org\/becomingimage\/?p=1728"},"modified":"2026-04-08T14:44:33","modified_gmt":"2026-04-08T12:44:33","slug":"videoigre-ki-ne-obstajajo","status":"publish","type":"post","link":"https:\/\/aksioma.org\/becomingimage\/sl\/filmi\/videoigre-ki-ne-obstajajo\/","title":{"rendered":"Videoigre, ki ne obstajajo"},"content":{"rendered":"\n
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Machinima, podprta z umetno inteligenco, uporablja generativno UI za ustvarjanje video prizorov v slogu imerzivnih 3D-igralnih okolij, namesto da bi za njihovo produkcijo neposredno uporabljala pogon videoigre. Gre za \u00bbparatekste brez besedil\u00ab (Matteo Bittanti, 2025). Videoigre, ki ne obstajajo (Nolan, 2025) so serija vinjet in kratkih zgodb, zmontiranih iz 5-sekundnih posnetkov, generiranih s tekstovnimi pozivi v Sora (2024). Spletna u\u010dna baza modela UI se razkriva skozi nenamerne dodatne elemente, na primer prekrivanje streamerjev videoiger v prizor. Razkrijejo se tudi trenutne omejitve generativne UI, zlasti skozi animacijske napake, kjer se gibi zlivajo in zvijajo na nepredvidljiv na\u010din

Namesto da bi te anomalije odstranili, so nepredvidljivi dejavniki UI sprejeti kot del dela. V Videoigrah, ki ne obstajajo se prepletata znano in absurdno, posredovana skozi estetske omejitve u\u010dnih podatkov modela Sora, kjer se ljudje in kmetijski stroji zlivajo in razpadajo podobno kot atomi starca in njegovega kolesa v romanu The Third Policeman (1967) Flann O’Brien. Sorino jezikovno neodvisno besedilo v\u010dasih delno deluje smiselno, kot nekak\u0161en UI-esperanto, kar prispeva k nadrealisti\u010dni, jezikovno nevtralni plasti. Po zgledu filozofije pionirja \u00bbcircuit bendinga\u00ab Reed Ghazala te naklju\u010dne napake v kontekstu Videoiger, ki ne obstajajo niso razumljene kot napake, temve\u010d kot integralna zna\u010dilnost dela<\/p>\n","protected":false},"excerpt":{"rendered":"

Machinima, podprta z umetno inteligenco, uporablja generativno UI za ustvarjanje video prizorov v slogu imerzivnih 3D-igralnih okolij, namesto da bi za njihovo produkcijo neposredno uporabljala pogon videoigre. Gre za \u00bbparatekste brez besedil\u00ab (Matteo Bittanti, 2025). Videoigre, ki ne obstajajo (Nolan, 2025) so serija vinjet in kratkih zgodb, zmontiranih iz 5-sekundnih posnetkov, generiranih s tekstovnimi pozivi […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":true,"footnotes":""},"categories":[183],"tags":[],"class_list":["post-1728","post","type-post","status-publish","format-standard","hentry","category-filmi"],"acf":[],"yoast_head":"\nVideoigre, ki ne obstajajo - Tactics&Practice #17: Becoming image<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aksioma.org\/becomingimage\/sl\/filmi\/videoigre-ki-ne-obstajajo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Videoigre, ki ne obstajajo - Tactics&Practice #17: Becoming image\" \/>\n<meta property=\"og:description\" content=\"Machinima, podprta z umetno inteligenco, uporablja generativno UI za ustvarjanje video prizorov v slogu imerzivnih 3D-igralnih okolij, namesto da bi za njihovo produkcijo neposredno uporabljala pogon videoigre. 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