{"id":1148,"date":"2025-02-03T16:16:27","date_gmt":"2025-02-03T15:16:27","guid":{"rendered":"https:\/\/aksioma.org\/ayasu\/?p=1148"},"modified":"2026-03-04T16:35:26","modified_gmt":"2026-03-04T15:35:26","slug":"image-syncers","status":"publish","type":"post","link":"https:\/\/aksioma.org\/becomingimage\/exhibitions\/image-syncers\/","title":{"rendered":"Image Syncers"},"content":{"rendered":"\n
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Domen Pal \/ Aksioma<\/figcaption><\/div>\n\n\n\n

In Image Syncers<\/em>, Nina Davies speculates on a near-future where synthetic images not only structure visual culture but begin to dictate how bodies move, behave, and express themselves. Drawing on contemporary online phenomena \u2013 particularly TikTok trends where users mimic uncanny, AI-generated dance videos \u2013 Davies imagines a world in which people internalise machine logic, choreographing themselves to match computational aesthetics and the properties of generative AI imagery.

At the centre of the installation is a video narrated by two fictional podcast hosts, recounting the story of the \u201cPlot Corps\u201d \u2013 a shadowy collective attempting to physically transform their appearance to resemble AI-generated imagery. As the characters spiral into discussions of \u201cimage syncing,\u201d \u201cperception collapse,\u201d and ontological uncertainty, the artist unpacks the recursive relationship between the self and synthetic imaging technologies. Identity becomes not just represented by images, but actively shaped and trained in relation to them.<\/p>\n\n\n\n

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