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  They Came to See Who Came

  Steve Rushton

  A version of this text was first published as part of a series on how media master reality in The First/Last Newspaper, edited by Dexter Sinister (November 2009).

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  STORYTELLERS OF THE INFORMATION AGE. On the role of narrative in UBERMORGEN.COM’s work

  Inke Arns

  Originally published as “STORYTELLERS OF THE INFORMATION AGE. On the role of narrative in UBERMORGEN.COM’s work”, in Domenico Quaranta (Ed.), UBERMORGEN.COM, fpeditions, Brescia, 2009, pp. 78-89.

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  Chi ha paura di Janez Janša?

  Antonio Caronia

  Digimag, Hacktivism, March 2008
  Language: Italian

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  Janša for Personal Reasons

  Zdenka Badovinac

  January 2008

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  What is the Importance of Being Janez?

  Zdenka Badovinac

  Published in NAME Readymade, Moderna galerija / Museum of Modern Art, Ljubljana 2008, pp. 53 – 65

  Translated from Slovenian by Tamara Soban

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  Ready-Name
  (Over-identification Through Over-multiplication)

  Aldo Milohnić

  Published in NAME Readymade, Moderna galerija / Museum of Modern Art, Ljubljana 2008, pp. 123 – 131

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  Identity, Possibility, Rigid Designators
  On the formally undecidable propositions of Janez Janša and related systems

  Antonio Caronia

  Published in NAME Readymade, Moderna galerija / Museum of Modern Art, Ljubljana 2008, pp. 135 – 145

  Translated from Italian by Denis Debevec

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  The Name As a Readymade
  An interview with Janez Janša, Janez Janša and Janez Janša

  Lev Kreft

  Published in NAME Readymade, Moderna galerija / Museum of Modern Art, Ljubljana 2008, pp. 149 – 170

  Translated from Slovenian by Polona Petek

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  3x TRIGLAV: CONTROVERSIES and PROBLEMS regarding MOUNT TRIGLAV

  Miško Šuvaković

  Originally published as “3x Triglav: kontroverznosti in problemi okrog Triglava”, in Triglav, exhibition publication, Mala galerija - Moderna galerija, 15th October – 15 th November 2007, Aksioma, Ljubljana 2007

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  The Janez Janša Project

  Blaž Lukan

  October 2007

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