Members of the project BAST

Aldo Ivančić: concept, mix, music production (1999-2007)
Janez Janša: concept, video, graphics, web, project production (1999-2007)
Marjan Stanić: drums and percussions (1999/2006)
Drago Ivanuša: accordion, keyboards (1999-2003)
Vuk Kraković: violin (1999)
Tomaž Grom: double-bass, laptop (2000-2004)
Boštjan Gombač: clarinet, whistles, percussions, vocals (2000-2007)
Slaven Kalebič: guitar (2000-2005)
DJ Pidjama: vocals (2000)
Matjaž Manček: guitar (2004-2006)
Gal Gjurin: bass, cello, keyboards, vocals (2004-2007)
Andraž Mazi: guitar (2004-2007)
Vasko Atanasovski: saxophone (2005)
Žiga Ragus: guitar (2006-2007)
Dejan Lapanja: drums (2006-2007)
Irena Tomažin: vocals (2006-2007)

Special Guests

audio

Ron Athey
Vaginal Davis
Hanry Raag
Evening Lategano
Alenka Godec
Nino DeGleria
Bogo Pecnikar
Simon Pintar
Call-Ya
Niko Novak
Andrija Pušič
Ivan Vrhunc-Čapa
Igor Leonardi
Nova Viator

video


Barbato Kanak: co-ordination and realization of RT video manipulation for the project Burn Out in collaboration with Janez Janša, Gwen Taylor, VJ 22, VJ 707 and VJseex.


| - U - - U - - U - U | - U- - U - - U - U | -U - - U - - U - U |
Are the conditions for a new communication created only by playing for one's pleasure?
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Is music merely a decoration of lost time?
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Have we chosen the composition as a form of resistance to standardization, classification and social control?
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If one can't dance to noise, will the noise drive one crazy?
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How do we put music back in the service of phantasms, rituals and sacral rites?
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Is music the machine for abolition of time?
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Why does hidden infinity avoid measurement?
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How does one experience the world as a real entity and not an amusement park?
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Why has music become a factor of centralization, cultural normalization and vanishing of distinct cultures?
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