Does the name of the artist say more about society or about the individual? And what kind of knowledge does the name of the artist carry?
The book includes nine essays, one interview and documentation about the Janez Janša project, which took place in the summer of 2007, when three artists from Slovenia legally changed their names to “Janez Janša,” the name of the right-wing Prime Minister at that time. Starting from the question whether it is actually an art project or rather a private gesture, as the three artists had claimed, each author explores one of the implications of this “re-naming action” and the questions it raises in different fields – from the legal aspects in a comparative study, to the media impact.
Re-naming brings to light the importance of the name as a vehicle of individuality, of property and marketability – themes that are particularly relevant in the Western art system.
The Janez Janša Project
Naming Power and the Power of the Name: Janez Janša Performs the Political in/for the Art World
What is the Importance of Being Janez?
3 x Triglav: Controversies and problems regarding Mount Triglav
Catherine M. Sousloff
In the Name of the Artist
The Right to (the Change of) Name – A Comparative Judicial Survey
Ready-Name (Over-identification through Over-multiplication)
Identity, Possibility, Rigid Designators: On Formally Undecidable
Propositions of Janez Janša and Concerning Systems
Name as Readymade (interview with Janez Janša, Janez Janša and Janez Janša)
Janez Janša as media phenomenon
Edited by: Janez Janša, Janez Janša, Janez Janša
Publisher: Moderna galerija / Museum of Modern Art
Translations: Polona Petek, Tamara Soban, Jana Renée Wilcoxen, Denis Debevec
Language editing: Camille Acey, Dean DeVos
Design: Kontrastika Studio
Supported by: the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana
Printed by: Cicero Ljubljana
Distributed by: Revolver