Mirthe Berentsen: Ouranophobia or the right to be forgotten
Series edited by Janez Janša
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Invisible flying machines are in the skies above us, remotely controlled, led by software, suspended between wonder and terror. For the artist and writer James Bridle “the drone stands in part for the network itself: an invisible, inherently connected technology making possible sight and action at a distance”. To be aware of “the cloud” we are living in is a matter of power and to make the network visible is a recurrent concern in Bridle’s work.
Writer and critic Mirthe Berentsen starts from here to write a fictional futuristic short story about drones, death and digital post mortem life. Can we be reassumed by our digital legacy? Does our individuality correspond to the data we have left behind in chats, text messages, social networks? These are questions we should think about.
Publisher: Aksioma – Institiute for Contemporary Art, Ljubljana
Represented by: Marcela Okretič
Design: Luka Umek
(c) Aksioma | Text and image copyrights by authors | Ljubljana 2015
Printed and distributed by: Lulu.com
In the framework of Masters & Servers
Published on the occasion of the exhibition:
Under the Shadow of the Drone
Aksioma | Project Space
Komenskega 18, Ljubljana, Slovenia
14 October–20 November 2015
Supported by the Creative Europe Programme of the European Union, the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana.
This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.